Tuesday, July 14, 2009

Kambakkhat Ishq

hindi movie
cast: akshay kumar, kareena kapoor

Come on Mr. Director… we don t laugh at this. And what happened to you Mr. Akshay Kumar. In Hera Pheri you’ve given us one of the finest comedies of all time. A comedy which everyone can see with anyone and laugh anytime. But this is certainly not anywhere close to that.

Kambakkhat Ishq is a more of disgust than comedy. Though a comedy film may be pardoned for lack of logic or lack of storyline, still a little decent narrative never hurts. Still there are some good no-brainer comedies. Kambakkhat Ishq is just a no-brainer. It’s a story of a Hollywood stuntman, who enjoys a lifestyle which even mainstream superstars would envy (don’t use your brains). This man mistreats, insults and uses (you know what I mean by ‘uses’) ladies and still is surrounded by beauties (don’t use your brains). This man falls for a model who for some unconvincing reasons hates all the men. What follows is an utter gender bashing.

Shooting the whole film in Hollywood seems had impact on the whole movie. The same movie, had it been made by Hollywood, for Hollywood might have made people laugh there. The problem with the film is, it’s not meant for India sensibilities. I mean, in India we don’t laugh at a man slapping a girl, we don’t laugh at man making fun of a girl’s virginity, we don’t laugh at girl calling the man “dog” and “ba****d” and man replying saying her… uhh.. well female dog, and we certainly don’t laugh our hero of the film passing air on a girls face… (what was that). Sorry Mr. Actor, Director, Script Writer and the whole team… you got it all totally wrong. We loved it when Akshay called Tabu “chashme wali behen jee” in Hera Pheri, but we just don’t find it amusing when he calls Kareena a .. well…umm .. a female dog. The music also nothing to hum about. Sparing RDB’s Mangalam Mangalam, other songs give you time to go out and get a pop-corn.

Akshay Kumar and Kareena do look good and give Hollywood actors a run for their money in that department. Boman Irani and Javed Jaffery are wasted. Aftab is doing what he does best, playing second fiddle. And Amrita Arora… I guess she deserved those tight slaps from Akshay for that lousy acting effort, if not for anything else.

Oh and how can we forget Hollywood biggies (really…??), who were disturbed for few days for appearing in a few frames of the film. I still wonder how Denies Richards agreed to do that part. But Rambo still pulls it off. Best moments of the entire film is when Sylvester Stallone does a take on Sunny Deol action and pulls up his hood cap saying in his very own accent “kambakkhat ishq”. This man has a charisma. How do we wish he had something more to do in the film.

Film has it moments, but very few and far between. Not enough to keep you engaged or interested. Utter waste of HUGE budget and HUGE star cast. AVOID.

Rating: * 1/2

Tuesday, July 7, 2009

New York

hindi movie
cast: john abrahm, katrina kaif, neil nitin mukesh

New York comes with a promising premise, a dependable cast, a trusted banner and a tested director.
The expectations were bound to be high. And the film, though not bad, doesn’t match to the high expectations it sets.

The story deals with how the world has changed forever after 9/11, especially for the three protagonists of the film. You cannot believe your best friends, the world looks at the south Asians with a different perspective… someone got to change all this. Different characters of the film have their different ways to change. If one (Katrina) prefers wait for the day when things are better, one (Irrfan) is on a mission to put things right, one (John) has gone offensive and one (Neil) is confused till the end.

They had a strong storyline in hand, but somehow couldn’t execute what liked a gem of a film on the outset. In the first 10 minutes of the film they reveal what could have been the well kept secret and could have been used to astonish the audience. You tend to loose interest as you know who’s who from the beginning. There’s nothing new that you expect to know in the end. And the sluggish pace in the first half makes life even more difficult. If you manage to sit thought he interval and see the second half, you’ll be awarded with some good cinema. The story starts to grip you. The loose ends start to meet. But just when you start getting interested it ends with a little illogical climax.

Kabir Khan, who showed immense potential and talent in his directorial debut Kabul Express is looking out of sorts here. He tries to be more stylish than intelligent unlike his earlier venture. Music also nothing to take home about.

Actors have done a fine job. It’s a relief to know that Katrina can act. John Abraham is fine mix of all emotions. Watch him in the song when Katrina stops to say something and he just moves on, lost in his past. Neil Nitin Mukesh has a boyish charm that works for his character. How far this charm would take him in his career, remains to be seen. Irrfan Khan is form like he is most of the time.

A better complied storytelling, a little more intelligent direction and we had a great cinema in hand. A missed opportunity I would say.

My Rating: * * (2 out fo 5)